уже в QA и ты не можешь его там менять.
И слова Траволты правильные:
You know what the problem with Hollywood is? They make shit. Unbelievable,
unremarkable shit. Now I'm not some grungy wannabe filmmaker that's
searching for existentialism through a haze of bong smoke or something. No,
it's easy to pick apart bad acting, short-sighted directing, and a purely
moronic stringing together of words that many of the studios term as
"prose". No, I'm talking about the lack of realism. Realism; not a pervasive
element in today's modern American cinematic vision. Take Dog Day Afternoon,
for example. Arguably Pacino's best work, short of Scarface and Godfather
Part 1, of course. Masterpiece of directing, easily Lumet's best. The
cinematography, the acting, the screenplay, all top-notch. But... they
didn't push the envelope. Now what if in Dog Day, Sonny REALLY wanted to get
away with it? What if -- now here's the tricky part -- what if he started
killing hostages right away? No mercy, no quarter. "Meet our demands or the
pretty blonde in the bellbottoms gets it the back of the head." Bam, splat!
What, still no bus? Come on! How many innocent victims splattered across a
window would it take to have the city reverse its policy on hostage
situations? And this is 1976; there's no CNN, there's no CNBC, there's no
internet! Now fast forward to today, present time, same situation. How
quickly would the modern media make a frenzy over this? In a matter of
hours, it'd be biggest story from Boston to Budapest! Ten hostages die,
twenty, thirty; bam bam, right after another, all caught in high-def,
computer-enhanced, color corrected. You can practically taste the brain
matter. All for what? A bus, a plane? A couple of million dollars that's
federally insured? I don't think so. Just a thought. I mean, it's not within
the realm of conventional cinema... but what if?
Надо будет пересмотреть кино - оно не такое поверхностное, как кажется после
первого просмотра. Вот, например, эти слова Траволты я не помню...